Badlands
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I make work about how I see the world, bent toward the surreal, where the details get skewed until the picture says something the reference did not. Fashion, film and music all feed it. The eye that keeps coming back is how I stay present in the work, with or without a signature.
Read the practice →Selected work
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From the process
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The written description covers the same ground.
Read the description →What the film shows
A silent time-lapse, thirty seconds. It opens on the finished picture, then returns to white, where the nested spheres are drawn as flat concentric rings in line and the standing figure is painted almost to completion very early. The rest of the film is spent on the setting: the same composition appears against a near-black ground, then a brown one, and at one point the tiled floor sits alone on the screen with nothing on it. The pale room and the receding grid are the last state.
Observatory process
The figure is settled early. The room around it takes the rest of the film, through several grounds before the right one.
- The finished work
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